Tuesday, July 20, 2010

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1 comments:

Bystander said...

The most erotic projections of the spirit of penisfusion, in this cycle, emerge in the posture of the kneeling kitchen ass in the 3rd frame, and in the lithe couple's stalking of the black coupe at the end. All the images deserve their place here, but the kitchen portrait articulates penisfamine as an imagined assimilation already taking place. The park portrait is equally coherent. In the striding power of the glutes on the right, and the self-consciously elegant rotation of the right arm on the left, the eligibilities and likelihoods presented in the twanging penis and determined steps seem to assure that this vehicle will soon rock on its suspension with the exertions of delicious fuck. In both portraits, the power of expectancy is enhanced by coherencies of form. Very nice.

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